David Garneau (Métis) is Associate Professor of Visual Arts at the University of Regina. He was born and raised in Edmonton, received a BFA in Painting and Drawing, and an MA in American Literature from the University of Calgary. He taught at the Alberta College of Art and Design (2003-1999) before moving to Regina in 1999.
Garneau’s art appears in the collections of The Canadian History Museum; the Canadian Parliament buildings; Indian and Inuit Art Collection; the NONAM museum, Zurich; the Musée de la civilisation, Montreal; Glenbow Museum; Mackenzie Art Gallery; Mendel Art Gallery; Dunlop Art Gallery; City of Calgary; the SaskArts Board; Alberta Foundation for the Arts; Paul Martin foundation; and numerous private collections.
Garneau has curated numerous large and small exhibitions: The End of the World (as we know it); Picture Windows: New Abstraction; Transcendent Squares; Contested Histories; Making it Like a Man!, Graphic Visions, TEXTiles. He recently co-curated (with Michelle LaVallee) Moving Forward, Never Forgetting, an exhibition concerning the legacies of Indian Residential Schools, other forms of aggressive assimilation, and (re)conciliation, at the Mackenzie Art Gallery in Regina, and With Secrecy and Despatch (with Tess Allas), an international exhibition about massacres of Indigenous people, and memorialization, for the Campbelltown Art Centre, Sydney, Australia.
Garneau has written numerous catalogue essays and reviews and was a co-founder and co-editor of Artichoke and Cameo magazines. He has recently given talks in Australia, the United States, and throughout Canada. He is currently working on curatorial projects in Sydney and New York, and is part of a five-year, SSHRC funded, curatorial research project, “Creative Conciliation.”